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Mood (PDF)
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- You are buying: 1 score (downloadable PDF)
- Instrumentation: Solo Cello
- Composition year: 2012
- Duration: 9:50 min.
- Format: A4 portrait
- NOTE: contact us for the soundtrack and technical rider for a live performance
CONCERT NOTE
ESPAÑOL
Mood
Violonchelo y electrónica [2012]
Últimamente, en mi música, me he involucrado en la creación de un “estado de las cosas”(un mood); lo que podría también entenderse como un “estado de ánimo”, en fin, trato de definir una “personalidad acústica”. Hablar de “un” estado de las cosas no implica dejar aparte una multiplicidad, creo, por el contrario, que una unidad pertenece a un laberinto de multiplicidades. Mientras compongo imagino que “un” sonido se pierde por ahí en medio de una selva de multiplicidades acústicas, y que luego regresa pero ya deformado. Mood es una pieza virtuosa a nivel rítmico, sin embargo, el ritmo se vuelve un fluido que va creando diversos colores tímbricos. “El ritmo como textura” es un punto central de esta obra.
Arturo Fuentes
Mood
Violonchelo y electrónica [2012]
Últimamente, en mi música, me he involucrado en la creación de un “estado de las cosas”(un mood); lo que podría también entenderse como un “estado de ánimo”, en fin, trato de definir una “personalidad acústica”. Hablar de “un” estado de las cosas no implica dejar aparte una multiplicidad, creo, por el contrario, que una unidad pertenece a un laberinto de multiplicidades. Mientras compongo imagino que “un” sonido se pierde por ahí en medio de una selva de multiplicidades acústicas, y que luego regresa pero ya deformado. Mood es una pieza virtuosa a nivel rítmico, sin embargo, el ritmo se vuelve un fluido que va creando diversos colores tímbricos. “El ritmo como textura” es un punto central de esta obra.
Arturo Fuentes
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INDICATIONS
INTERPRETATION NOTE:
It’s important to clearly hear the notes played on the fingerboard, I recommend you to check some videos of guitarists playing TAPPING: both hands playing on the fingerboard (striking the strings) produce real tones. MOOD explores this technique, but, because of the nature of the cello, sometimes the real notes are mixed with noise-percussion sounds. The microphone near the fingerboard captures directly the notes, the microphone near the bridge captures the harmonic color and the bass frequencies, and the contact microphone captures some percussive attacks. In my experience recording the piece, I suggest to use the contact microphone just as an additive color, helping the other microphones to make a round balanced sound. |
BUY THE SCORE
Do you want to buy a score? You have two possibilities to pay:
1) "Add to Cart" : you will be directed to PayPal, there you can pay with your credit card.
A code will be sent to your email in order to download a PDF document-score.
IMPORTANT : It is preferible to make the download with a laptop computer, we have had some issues with downloads using mobile phones.
In case you haven't access to a computer, no problem, buy the score and, if you have any issue, send us an email.
2) Money transfer :
Arturo Fuentes Ávila
Hypo Tirol Bank
IBAN: AT17 5700 0300 5557 5425
BIC/SWIFT: HYPTAT22
Address: Meraner Str. 8, 6020 Innsbruck. Austria
3) Printed scores:
If you wish a printed score, no problem, please write us an email and we will contact you.
londonhalleditions@gmail.com
Thank you for your purchase!
LondonHall Editions Team
1) "Add to Cart" : you will be directed to PayPal, there you can pay with your credit card.
A code will be sent to your email in order to download a PDF document-score.
IMPORTANT : It is preferible to make the download with a laptop computer, we have had some issues with downloads using mobile phones.
In case you haven't access to a computer, no problem, buy the score and, if you have any issue, send us an email.
2) Money transfer :
Arturo Fuentes Ávila
Hypo Tirol Bank
IBAN: AT17 5700 0300 5557 5425
BIC/SWIFT: HYPTAT22
Address: Meraner Str. 8, 6020 Innsbruck. Austria
3) Printed scores:
If you wish a printed score, no problem, please write us an email and we will contact you.
londonhalleditions@gmail.com
Thank you for your purchase!
LondonHall Editions Team